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Voet and Pratt's 4th edition of Principles of Biochemistry, challenges readers to better understand the chemistry behind the biological structure and reactions occurring in living systems. The latest edition continues this tradition, and additionally incorporates coverage of recent research and an expanded focus on preparing and supporting students throughout the course. With the addition of new conceptual assessment content to WileyPLUS, providing the opportunity to assess conceptual understanding of key introductory biochemistry concepts and retrain themselves on their misconceptions

• Sales Rank: #951897 in Books
• Published on: 2012-04-01
• Format: International Edition
• Original language: English
• Number of items: 1
• Dimensions: 10.91" h x 1.42" w x 8.50" l, 5.25 pounds
• Binding: Paperback
• 1208 pages

Most helpful customer reviews

1 of 1 people found the following review helpful.
Great Int'l version
By Fundamentally
No perceived difference in material between the US textbook.

The only issue was the possible difference in pages, but it was minor and did not affect my ability to correlate what we learned in class to the material provided in the textbook.

1 of 1 people found the following review helpful.
I like this book
By Lisa
Nice book, I like the style even better than the old crappy US edition I used to have from my undergrad. This book has all the information I need for my advanced biochemistry class, and more.

0 of 0 people found the following review helpful.
Five Stars
By Xing Qingyu
Prefect condition
Good book

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[P417.Ebook] Ebook Free How to Play the Chess Openings (Dover Chess), by Eugene Znosko-Borovsky

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With this book, all one needs to know are the fundamental rules of chess and ordinary chess notation in order to gain a thorough understanding of the all-important opening game in its many variations. Simply, clearly, and with keen appreciation of the amateur’s usual limitation, International Grandmaster Znosko-Borovsky explains the importance of rapid development of the center, the relation of the opening to the general plan of the player, and the significance of control of the center.
Each major opening is then detailed and analyzed with the emphasis on explanation that is easy to follow. Special attention is paid to traps — both the mistakes often made by amateurs, and the classic traps, such as Greco’s and Tarrasch’s. “Chess is a game of understanding and not of memory,” says Znosko-Borovsky, and he promotes the reader’s understanding of the openings by discussing purpose and plan frequently, as against memorization of moves. Those acquainted with Znosko-Borovsky’s other books, How Not to Play Chess and The Art of Chess Combination will rediscover in this book Znosko-Borovsky’s unique clarity, ease of style, and profundity.
“In the teaching of chess he may claim to have no superior.” — Philip W. Sergeant.

• Sales Rank: #101645 in Books
• Published on: 1971-06-01
• Released on: 1971-06-01
• Original language: English
• Number of items: 1
• Dimensions: 7.96" h x .34" w x 5.40" l, .35 pounds
• Binding: Paperback
• 160 pages

Language Notes
Text: English, Russian (translation)

Most helpful customer reviews

11 of 11 people found the following review helpful.
Really excellent book
By Actuarysmith
I read this little book the first time almost 30 years ago upon the recommendation of a very well known chess book seller. While I didn't totally understand it all, I faithfully read it trying to absorb all I could.

I noticed it on my shelf recently and pondered whether it justified a re-read nearly 700 rating points later. After wrestling with the question ( I mistakingly believed it had nothing further to offer) for some time- I decided to give it my attention for a couple of weeks. I attempt to re-read every one of my many chess books periodically to see what I can soak up at each new level of understanding.

I have not been disappointed. While it is old, and in descriptive ( get over it now! It takes all of about ten minutes to figure out descriptive and there are still a large number of worthwhile books on the market written in DN) it contains ideas, principles, and general guidelines that guide even the openings of today.

Knosko-borovsky's writing is pretty much timeless in my opinion.

You are not going to find the dozen different variations currently considered playable in the Sicilian dragon Yugoslav attack on the 15th move here, but you are going to find chess truth that will guide you for many years to come no Matter what you play.

If you are ready to actually understand something rather than just memorize lists of moves (some of which will be outdated by the time you read this review) get this book!

10 of 12 people found the following review helpful.
As good as any
By Statistician
This book was originally written in 1935. It is in descriptive notation (P-K4), 141 pages plus 7 pages of solutions to the 36 questions scattered through it.

As its title suggests, it is about the general principles behind the different openings. The explanations are clear and easy to follow, and as good as any I've seen. It keeps things simple and doesn't list dozens of complex variations that would overwhelm a beginner. The fact that it is only $8 is icing on the cake. Recommended!

I find only minor shortcoming for this sort of book. Algebraic notation would be better these days, but we have only the laziness of the publisher to blame for that. Descriptive notation should not deter a potential reader - it is no harder to learn than learning how a knight moves! The modern and hypermodern lines do not get coverage proportional to their current popularity. When the book was written, Alekhine's defence was new on the scene, and it got 3 pages. The Sicilian got 4 pages.

Chess openings is a very difficult subject for beginners. When does the opening end and the middlegame start? How do I know that at the end of a given variation there are "about equal chances" or that "white has a slight advantage"? For general principles, this book is exactly what a beginner needs. For specific variations and their detailed analysis, things that only a serious chess player would worry about, one needs books that specialize in one opening or only one line (e.g. Sicilian Najdorf). To stay current, one needs the Chess Informant. The trouble with such books is that they get outdated very quickly. These days a better option is a computerized database, possibly with a subscription service to stay current. Computers have changed the way an advanced player studies openings. But the beginner still needs a book like this one. For a more modern introduction, with algebriac notation, I recommend Seirawan's book "Winning Chess Openings", ISBN 1857443497. It is thicker at 250 pages, but is easy to read.
No single book will convert you from a beginner to a master - only hard work can do that. However, each book you read will put a little more wind in your sail.

5 of 5 people found the following review helpful.
Amazing book for all chess players!
By Nicolas Zemel
This book is one of the best books that have been published on chess openings. The main principle that is taught throughout the book is the concepts of each opening, like in the classic sicilian, control of the center is a strong concept which can change the whole game upside down if you don't have it. Weaknesses are explained for each opening and the author tells you how to exploit these weaknesses like never seen before! this book is for people who follow the strong foundations of chess, it's theory. The book is based off of old notation which can be difficult for lazy learners, but it is self explanatory if you try. This book may be based off some of the older theories that are the foundations of the present theories.

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• Sales Rank: #12590105 in Books
• Published on: 1892
• Binding: Hardcover

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Our intuition tells us that we, our conscious selves, cause our own voluntary acts. Yet scientists have long questioned this; Thomas Huxley, for example, in 1874 compared mental events to a steam whistle that contributes nothing to the work of a locomotive. New experimental evidence (most notable, work by Benjamin Libet and Daniel Wegner) has brought the causal status of human behavior back to the forefront of intellectual discussion. This multidisciplinary collection advances the debate, approaching the question from a variety of perspectives.

The contributors begin by examining recent research in neuroscience that suggests that consciousness does not cause behavior, offering the outline of an empirically based model that shows how the brain causes behavior and where consciousness might fit in. Other contributors address the philosophical presuppositions that may have informed the empirical studies, raising questions about what can be legitimately concluded about the existence of free will from Libet's and Wegner's experimental results. Others examine the effect recent psychological and neuroscientific research could have on legal, social, and moral judgments of responsibility and blame -- in situations including A Clockwork Orange-like scenario of behavior correction.

Contributors: William P. Banks, Timothy Bayne, Sarah-Jayne Blakemore, Suparna Choudhury, Walter J. Freeman, Shaun Gallagher, Susan Hurley, Marc Jeannerod, Leonard V. Kaplan, Hakwan Lau, Sabine Maasen, Bertram F. Malle, Alfred R. Mele, Elisabeth Pacherie, Richard Passingham, Susan Pockett, Wolfgang Prinz, Peter W. Ross

• Sales Rank: #4289667 in Books
• Published on: 2006-02-24
• Original language: English
• Number of items: 1
• Dimensions: 9.00" h x .63" w x 7.00" l, 1.61 pounds
• Binding: Hardcover
• 372 pages

Review

Overall, this is an excellent volume that brings together an impressive cast of commentators on the key question for consciousness studies: does the c word actually do anything.

(Jonjoe McFadden Journal of Consciousness Studies)

About the Author
Susan Pockett is Visiting Scientist in the Physics Department at the University of Auckland.

William P. Banks is Professor of Psychology at Pomona College and editor-in-chief of the journal Consciousness and Cognition.

Shaun Gallagher is Professor and Chair of the Philosophy Department at the University of Central Florida and coeditor of the journal Phenomenology and the Cognitive Sciences.

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Rethinking biology means rethinking the text, the visual program, and assessment.
 
Ordinarily, textbooks are developed by first writing chapters, then making decisions about art and images, and finally, once the book is complete, assembling a test bank and ancillary media. This process dramatically limits the integration across resources, and reduces art, media, and assessments to ancillary material, rather than essential resources for student learning.   Biology: How Life Works is the first project to develop three pillars—the text, the visual program, and the assessment—at the same time. All three pillars were developed in parallel to make sure that each idea is addressed in the most appropriate medium, and to ensure authentic integration. These three pillars are all tied to the same set of core concepts, share a common language, and use the same visual palette. In this way, the text, visual program, and assessments are integral parts of student learning, rather than just accessories to the text.
RETHINKING THE TEXT

Integrated
Biology: How Life Works moves away from a focus on disparate topics, towards an integrated approach. Chemistry is presented in context, structure and function are covered together, the flow of information in a cell is introduced where it makes the most conceptual sense, and cases serve as a framework for connecting and assimilating information. Selective
Biology: How Life Works was envisioned not as a reference book for all of biology, but a resource focused on foundational concepts, terms, and experiments. This allows students to more easily identify, understand, and apply critical concepts, and develop a framework on which to build their understanding of biology. Thematic
Biology: How Life Works was written with six themes in mind. Introduced in Chapter 1 and revisited throughout, these themes provide a framework that helps students see biology as a set of connected concepts. In particular, the theme of evolution is emphasized for its ability to explain and predict so many patterns in biology. RETHINKING THE VISUAL PROGRAM
Integrated
Across Biology: How Life Works—whether students are looking at a figure in the book, watching an animation, or interacting with a simulation—they always see a consistent use of color, shapes, and design. Engaging
Every image—still and in motion—engages students by being vibrant, clear, and approachable. The result is a visual environment that is expertly designed to pull students in, deepens their interest, and helps them see a world of biological processes. A Visual Framework
To help students think like biologists, the visual program is designed to be a framework for students to hang the concepts and connect ideas. Individual figures present foundational concepts; Visual Synthesis figures tie multiple concepts across chapters together; animations bring these figures to life; and simulations let students interact with the concepts. Collectively, this visual framework allows students to move seamlessly back and forth between the big picture and the details. RETHINKING THE ASSESSMENT
Range
Developed by a broad community of leading science educators, the assessments for Biology: How Life Works address all types of learning, from recall to synthesis. They are designed to be used in a variety of settings and come in a wide range of formats (multiple choice, true/false, free response). Integrated
Assessment is seamlessly integrated into the text and the visual program (both in print and interactive). Each time an instructor asks a student to engage with Biology: How Life Works—whether it is reading a chapter, watching an animation, or working through an experiment—the opportunity to assess that experience exists. Connected
Many of the questions and activities for Biology: How Life Works are organized in sets called Progressions.  Questions in a Progression are aligned with one or more core concepts, and are designed to move a student from basic knowledge to higher order skills and deeper understanding.  Progressions questions can be used individually or in a series as pre-class quizzes, in-class clicker questions or activities, post-class homework, or exams.  When used in sequence, Progressions provide a connected learning path for students.

• Sales Rank: #2363536 in Books
• Published on: 2015-07-24
• Ingredients: Example Ingredients
• Original language: English
• Number of items: 1
• Dimensions: 10.78" h x .80" w x 9.14" l, .0 pounds
• Binding: Paperback
• 592 pages

About the Author

James R. Morris is Associate Professor in the Biology Department at Brandeis University. He teaches a wide variety of courses for majors and non-majors in evolution, genetics, genomics, anatomy, and health sciences. In addition, he teaches a first-year seminar focusing on Darwin’s On the Origin of Species. He is the recipient of numerous teaching awards from Harvard and Brandeis. His research focuses on the rapidly growing field of epigenetics, making use of the fruit fly Drosophila melanogaster as a model organism. He currently pursues this research with undergraduates in order to give them the opportunity to do genuine, laboratory-based research early in their scientific careers. Dr. Morris received a Ph.D. in genetics from Harvard University and an M.D. from Harvard Medical School. In addition, he was a Junior Fellow in the Society of Fellows at Harvard University, gave talks to the public on current science at the Museum of Science in Boston, and works on promoting public understanding of personal genetics and genomics.

Daniel L. Hartl is the Higgins Professor of Biology in the Department of Organismic and Evolutionary Biology at Harvard University. He has taught highly popular courses in genetics and evolution at the introductory and advanced levels. His lab studies molecular evolutionary genetics and population genetics and genomics. Dr. Hartl is the recipient of the Samuel Weiner Outstanding Scholar Award and the Medal of the Stazione Zoologica Anton Dohm Naples. He is a member of the National Academy of Sciences and the American Academy of Arts and Sciences. He has served as President of the Genetics Society of America and President of the Society for Molecular Biology and Evolution. Dr. Hartl’s Ph.D. was awarded by the University of Wisconsin, and he did post-doctoral studies at the University of California, Berkeley. Prior to joining the Harvard faculty, he served on the faculties of the University of Minnesota, Purdue University, and Washington University Medical School. In addition to publishing more than 350 scientific articles, Dr. Hartl has authored or coauthored 30 books.

Andrew H. Knoll is the Fisher Professor of Natural History in the Department of Organismic and Evolutionary Biology at Harvard University. He is also Professor of Earth and Planetary Sciences. Dr. Knoll teaches introductory courses in both departments. His research focuses on the early evolution of life, Precambrian environmental history, and the interconnections between the two. He has also worked extensively on the early evolution of animals, mass extinction, and plant evolution. He currently serves on the science team for NASA’s mission to Mars. Dr. Knoll received the Phi Beta Kappa Book Award in Science for Life on a Young Planet. Other honors include the Paleontological Society Medal and Wollaston Medal of the Geological Society, London. He is a member of the National Academy of Sciences, the American Academy of Arts and Sciences, and the American Philosophical Society. He received his Ph.D from Harvard University and then taught at Oberlin College before returning to Harvard. 

Robert A. Lue is Professor in the Department of Molecular and Cellular Biology and Director of Life Science Education at Harvard University. He regularly teaches in Harvard’s first-year Life Sciences program and upper-level courses in cell biology. He has a longstanding commitment to interdisciplinary teaching and research, and chaired the faculty committee that developed an integrated science course to serve multiple science majors and premedical students. Dr. Lue has also developed award-winning multimedia, including the animation “The Inner Life of the Cell.” He has coauthored undergraduate biology textbooks and chaired education conferences on college biology for the National Academies and the National Science Foundation, and diversity in science for the Howard Hughes Medical Institute and the National Institutes of Health. He also founded and directs a Harvard life sciences outreach program that serves over fifty high schools. He received his Ph.D. from Harvard University.

Most helpful customer reviews

0 of 0 people found the following review helpful.
Five Stars
By ttw97
as it was described

10 of 10 people found the following review helpful.
It doesn't come with any launch pad access code
By marise4
Do not buy this book if you are expecting it to come with launch pad access like it advertises. It doesn't come with any launch pad access code and the ~70$ you are paying just for renting is for the hardcopy book only. If you can buy or borrow this from a previous student you can get a better deal because this is really the only online option you're going to find. If you don't want the ebook and access code from the site and want a hard copy, borrow the book from a previous student and just pay for the 80$ online access separately :/ its probably the best deal you're going to get with this ridiculous program.

1 of 1 people found the following review helpful.
I didn't like it.
By Jay
I had to use this book for my intro biology course, and I must say that it was horrible. The way everything was structured and explained was just awful. I eventually gained the wisdom to go and buy Campbell's biology book and haven't looked back at this deplorable book since.

See all 31 customer reviews...

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[A545.Ebook] PDF Ebook Outplaying the Boys: Poker Tips for Competitive Women, by Cat Hulbert

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Outplaying the Boys: Poker Tips for Competitive Women, by Cat Hulbert

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Whether it’s in a casino, a private club, an online poker room—or even many friendly home games—when a woman sits down to play poker, she’s usually facing men, and those men are going to typecast her as being too passive to be competitive. Guess what? She’s got them right where she wants them! Women have a tremendous natural advantage at the poker table. Now it’s just a matter of learning how to exploit it.

Written for female players who are in ever greater numbers catching poker-mania—60 million people a month are now playing poker and 30% are women—Outplaying the Boys is a street-smart guide to the green-felt jungle. By Cat Hulbert, whom Card Player magazine ranked as one of the top seven-card stud players in the world, its 125 annotated tips are filled with strategy, wisdom, and lessongiving anecdotes. How to project a winning image. How to choose the most profitable table—a talkative table will yield more than a quiet one—and the best seats (avoid the chair closest to the expert players). How to recognize and squelch your own tells. Who to bluff—the new player, the player who just made a comeback, the guy who comments on how tight you are. And who not to bluff—the short stack, the maniac who calls everything. Understanding your innate strengths and weaknesses—honing intuition, curbing your instinct to be too trusting, getting into opponents’ heads. The book covers two key games—Texas Hold’em and Seven-Card Stud—and provides a glossary of terms, recommended books, and more.

• Sales Rank: #1972608 in Books
• Published on: 2005-10-15
• Original language: English
• Number of items: 1
• Dimensions: 7.98" h x .85" w x 5.44" l, 1.03 pounds
• Binding: Paperback
• 342 pages

From the Back Cover
In a book of practical wisdom distilled from a lifetime as one of the world's top female poker players, Cat Hulbert shows women how to hone analytical skills, improve intuition, and create a stategy for success every time they play poker, whether in a casino, home game, or online. Project a winning image (no headphones, no short stacks). Strive to make all your motions the same, whether folding, calling, or raising. Don't waste your time trying to trick the dummies. And know that every time you sit down at a table full of men, most of them are going to type-cast you as too passive to be competitive. Congratulations! You've got them right where you want them.

About the Author
Cat Hulbert, a professional gambler for 30 years, was one of the first women to break into the ranks of professional card players. Card Player magazine named her one of the top seven-card stud players in the world, and the Game Show Network called her “the best female gambler on earth.” She divides her time among playing high-stakes games, teaching poker to women at the Hollywood Park Casino, and writing. She lives in Torrance, California.

Excerpt. © Reprinted by permission. All rights reserved.
If I were a contestant on Jeopardy! and Alex Trebek announced the categories in the order of Blackjack, Poker, Potent Potables, Big Dogs, and Chauvinistic Men, you could bet your plasma television I’d win the first round. Of course, I’d never get to buzz in once if the categories were English Monarchs, Cooking, Foreign Films, Economics, and Golf Legends.

I know what I know, and as Thoreau said, that is true knowledge. Trust me, in the world of competitive poker, I started at the top, toppled to the bottom, and climbed back to the peak and planted my flag permanently. Because of my hard-won experience, I can show you how to stay away from both opponent and self-made traps, how to avoid belly-flop embarrassment, and how to employ trickery to win the chips. I understand the pitfalls because I’ve broken free of every trap imaginable, short of gnawing off my foot. I’ve learned how to overcome disaster and become a successful professional by self-honesty; by determination, resilience, and drive; by soaking up knowledge like a greedy sponge; and, last but not least, by pure luck. (No one will tell you it’s against the law to get lucky.)

My gambling career started at the age of 24 when I left my press job at the New York State Senate, packed up my Honda nicknamed Blue, withdrew all my savings ($1,600), and drove head-on into Ohio’s biggest snowstorm in 30 years. That’s not necessarily the luckiest start, but I did meet a Lay’s Potato Chips trucker while snowbound, who helpfully gave me the advice that I’d never make it in Vegas because my legs were too chunky.

But I wasn’t on my pilgrimage to Vegas to be a showgirl; my quest was to be a professional card player.

What were my chances in 1976? In a well-read blackjack book of the time, the author flatly stated that a woman doesn’t have the emotional fortitude to become a winning gambler. I had so many emotions in my youth that I could have built Fort Ticonderoga with them. And emotions aren’t necessarily a bonus when monetary fluctuations can make you feel like you’re going over Niagara Falls in a wooden barrel. (By the way, the first person brave enough for that daredevil stunt was a 63-year-old schoolteacher named Annie Taylor.)

GETTING STARTED
Any man would have laughed his toupee off at the prospect of me becoming a player and suggested I become a blackjack dealer or a cocktail waitress in a long skirt. But being a blackjack dealer is not being a player, which I quickly discovered when I got a job at the Rainbow Club in Henderson, Nevada, a suburb of Las Vegas. Bad luck befell me on the second day. The Rainbow Club changed its policy from the standard unisex dealer attire of black pants and a white shirt to cheekhigh hot pants for the women. I resisted on feminist grounds, but the real reason for my protestation was my linebacker gams. Twenty-four hours later I quit my first casino job on“ moral grounds.”

My next job was spinning the Big Six Wheel at the Union Plaza Casino in downtown Vegas, and two months later I moved up to dealing blackjack. It wasn’t long before I began to discern that there were some true pros at the game. I wanted—no, I needed—to know their secrets.

One day a pro who looked like Sonny Bono wearing a fake Versace shirt came in, and I finally asked, “What’s your system?” He looked startled and whispered back, “Shhh, meet me after work for coffee and I’ll tell you.”

At the time, I didn’t even know such a thing as “card counting” existed, but I was about to get an up-close-andpersonal education in it. Sonny Bono and I began dating, and he concocted a plan to teach me. He thought a woman card counter would be the greatest camouflage of all—simply because no one would ever suspect she’d be intelligent enough to use a system. What was wrong with the plan was that his team members thought having a female team member was as enticing as a skunk in a perfume shop. But Sonny persisted, and because he was the cash man and the team leader, the rest of the players begrudgingly fell in line. I kept practicing and practicing counting, sizing up how many cards were left in the deck, and dividing the remaining cards into the count.

At first, card counting seemed tough, owing to dividing fractions quickly, although now I think I could teach Koko the gorilla how to do it. It doesn’t require mathematical genius, but rather the discipline to always follow the formula, to bear up under casino scrutiny, and to socialize and look like a tourist while simultaneously keeping rows of rapidly changing numbers in your brain. Maybe I am overestimating Koko, but the point is that you don’t have to be a member of Mensa to count cards.

Because, as a woman, my abilities were still under suspicion, I was never allowed to bet the money, so my main function was as a spotter. A spotter acts anonymously, betting small and signaling the Big Player into the game when the deck becomes rich in high cards. She or he then passes the Big Player the count and disappears into the sea of faces. Was I frustrated because the team members wouldn’t give me a chance to play solo due to my gender? Frustrated isn’t the word; piping-hot mad is more apt. All I wanted was the chance to prove myself competent to play under pressure. But no one had ever heard of a female card counter. Plus Vegas in the ’70s wasn’t exactly the equal-rights capital of the world. So without seeming self-congratulatory, I think for overcoming these chauvinistic attitudes and pioneering the way for other female players that I deserve a Benny Goodman toot or two.

As a member of Sonny’s team, I traveled all over Europe, Asia, and Australia counting cards and slowly accumulating a bankroll. I was sharp and tough, and gradually gained the respect of my teammates because I could shove the money out without fear when the count called for it. Often people believe that’s what divides the girls from the boys in gambling—how they handle fear. And although men think they
are the braver of the two genders, it’s not necessarily true. Woman guts and man guts look the same during an autopsy, and I would die trying to prove myself as a competitive equal. Well, maybe not on all fronts—I’m still happy I never got a draft lottery number.

FROM BLACKJACK TO POKER
Even though I became an infamous player, barred on sight from casinos in such exotic places as Macau and Katmandu, my main desire was still to become a poker player. After 12 years on the blackjack circuit, I quit. I was tired of being backroomed by casinos, of facing hostility from dealers and pit bosses, of sitting in holding cells on trespassing charges, of always being on the road, and of living in constant fear of getting robbed. So I took a stab at making my first dream a reality.

How hard could it be to make the transition from blackjack to poker? They are both card games, right? Wrong! In poker, you can teach someone how to play a particular hand, but it’s like chess—there are countless variations of the same situation that can occur and numerous levels of judgment that need to be plugged in. But even more than the complexities of the game, my main stumbling blocks were my confrontations with other players. Blackjack was just me against the house, but poker came with personalities that ranged from racist scumbag to snake-like vermin.

And if I thought I’d faced chauvinism in the blackjack world, I discovered that I hadn’t scraped the surface of how threatened a competitive man can be by an aggressive and strong-willed woman. Instead of just thinking their thoughts or expressing grumbles of dissatisfaction, some male poker players try to verbally pick you apart like vultures.

Although I believed I would be oblivious to the attacks because I was a hotshot blackjack player, I turned into a vulnerable woman. At a time when I should have been concentrating on my game, I was perfecting my bantering techniques. I turned into a sucker, avoiding the truth, playing in the highest games with guys who could play rings around me. And instead of being focused on making money, I was concerned with winning the battle of the sexes. I lost badly, and the pain of crying into my pillow each night took its toll on my psyche, bankroll, and—even worse—my great-looking face. Safe to say, Benny put his clarinet down and took a long break.

CHANGING MY TUNE
How did I turn things around? Well, I swallowed my pride, dropped down to the small games, found a great poker teacher who forced me to face my weaknesses, and mastered the secrets of the founding principles of poker.

Now, I love poker—85 percent of the time I’d rather be playing than shopping at Nordstrom (and I’m a shopaholic!). If you are a woman who’s been nibbled by the gambling bug, whether it’s a pastime or a professional pursuit, I can turn your curiosity into knowledge. But there will still be those days Mama didn’t tell you about, and that’s why I’m here to guide you past your ego and any personal weakness that may hinder your growth as a player. Poker is exhilarating when you win, and you can handle that side of it standing on your head. But when you lose, it’s a test of character.

I have taught poker to women for several years, and through my own roller-coaster ride and through my interactions with my students, I understand where the traps lie for the novice. I can show you how to navigate around them and not get lost in the sea of wannabe players.

One dangerous pitfall is not being prepared to play against men who cannot stand losing to the weaker sex. Those men believe that because their muscular development is superior to ours, so is their psychological advantage. (Of cours...

Most helpful customer reviews

0 of 0 people found the following review helpful.
Cat's humor and knowledge is captured!
By Dawn E. Kimball
I am a student of Cat's and this book has captured not only her knowledge when it comes to poker but also her great sense of humor. This isn't a book to teach you how to play but one that will help you with some winning methods that the boys have no clue about. An easy read because of the smaller sections and infusion of tips and humor!

2 of 3 people found the following review helpful.
Not for WOMEN only
By Linda Drucker
I only wish I had a copy of "Outplayong the Boys" when I first started playing poker in the early 80's! The information in this book is invaluable. Every tip should be practiced diligently by new and more seasoned players alike. Cat's humorous style of writing will keep you giggling and learning at the same time. A must read for all poker players, women and men alike..

0 of 0 people found the following review helpful.
A must for every woman poker player
By A. Haman
I love this book. I have read dozens of books on poker and this is an absolute must read for all players. However, this book also contains information that is specifically for women not found anywhere else. It would be better for ladies if the men never read its secrets. Many of the books on the market tell you how to play "cards," this book tells you how to play "poker." Believe me there is a difference.

It is obvious the author is an excellent poker player and it is wonderful to be able to learn from her wisdom. She teaches how to focus on numerous aspects of the game that are glossed over by other authors. (Possibly because this information is so valuable, other authors did not want to share it.)

If you are serious about learning how to become a good poker player, this book should be a part of your library. If you just want to have some good laughs and read some amusing poker stories, this book is also for you. Ms. Hulbert deftly manages to mix priceless lessons with a lot of humor for a truly entertaining read. As she explains, she has made a lot of the mistakes for you, and lets you learn from her experience. What a gift!

This book focuses on multiple aspects of the game and will/can take your play to the next level. This is not a book for beginners who do not know the difference between a flush and a straight, or want to know if they should play ace -nine off suit up front. That said, I wish I had this book to read years ago. This book will show beginners the concepts that every poker player should be thinking about, no matter what level.

On top of all that, Ms. Hulbert is also a very talented writer, so the book is very easy to read and hard to put down. I highly recommend it!

If you are a woman, read it. If you are a poker player, read it. If you simply like watching poker, read it. This book also offers valuable information for men, but with any luck, they won't read it.

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Outplaying the Boys: Poker Tips for Competitive Women, by Cat Hulbert PDF
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• Sales Rank: #12784474 in Books
• Published on: 2006
• Format: Import
• Original language: English
• Number of items: 2
• Dimensions: 7.68" h x .22" w x 5.11" l,
• Binding: Paperback
• 96 pages

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[Y551.Ebook] PDF Download Salsa and Its Transnational Moves, by Sheenagh Pietrobruno

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Salsa and Its Transnational Moves presents a brilliant critical analysis of salsa dancing in a major North American city. Drawing from a vast number of disciplines, author Sheenagh Pietrobruno focuses on the tension between the status of dance as a bodily expression of identity and its function as a cultural commodity within the economic life of modern day cities. This engaging work investigates the transnational movements of salsa by exploring the circulation of salsa within the Montreal dance scene, nourished by the continuous flow of a people, and examining the commodification of the Latino culture. Pietrobruno's analysis is singular in highlighting how the migration of a people and a dance represent displacements that are not always homologous. At the core of this work, Pietrobruno offers an extensive and intricate ethnography of the institutions and individuals involved in shaping the Montreal salsa scene that will appeal to academics and general audiences alike, who are interested in the study of anthropology, popular music, dance, gender, ethnicity, and culture.

• Sales Rank: #2438845 in eBooks
• Published on: 2006-03-07
• Released on: 2013-07-30
• Format: Kindle eBook

Review
This splendid book captures salsa dancing as both a global phenomenon, carried throughout the world by migrants and media technologies, and as a local practice, rooted deeply in the distinct cultures of different cities. Pietrobruno deftly combines richethnographic observation with a well-researched account of salsa's origins, development and ongoing transformations. The book moves towards a compelling engagement with dance's place in a world of digital communications and within what Pietrobruno callsvirtual migrations. This is a genuinely interdisciplinary book, one which will interest scholars of dance, diasporic cultural practice, media and popular music... (William Straw, professor of communication studies, McGill University)

This splendid book captures salsa dancing as both a global phenomenon, carried throughout the world by migrants and mediatechnologies, and as a local practice, rooted deeply in the distinct cultures of different cities. Pietrobruno deftly combines richethnographic observation with a well-researched account of salsa's origins, development and ongoing transformations. The book moves towards a compelling engagement with dance's place in a world of digital communications and within what Pietrobruno calls "virtual migrations." This is a genuinely interdisciplinary book, one which will interest scholars of dance, diasporic cultural practice, media and popular music. (William Straw, professor of communication studies, McGill University)

From the Back Cover
This splendid book captures salsa dancing as both a global phenomenon, carried throughout the world by migrants and media technologies, and as a local practice, rooted deeply in the distinct cultures of different cities. Pietrobruno deftly combines rich ethnographic observation with a well-researched account of salsa's origins, development and ongoing transformations. The book moves towards a compelling engagement with dance's place in a world of digital communications and within what Pietrobruno calls 'virtual migrations.' This is a genuinely interdisciplinary book, one which will interest scholars of dance, diasporic cultural practice, media and popular music.

Reviw Source: William Straw, McGill University

About the Author
Sheenagh Pietrobruno is a Postdoctoral Research Fellow at Goldsmiths College, University of London.

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5 of 5 people found the following review helpful.
Unique view
By flashman
I have to disagree with the other reviewer. Firstly it is about dance rather than music and secondly, if the first reviewer read more than an extract he would realize Pietrobruno credits Puerto Ricans. This is a useful book for anybody interested in the cultural influence of salsa.

0 of 6 people found the following review helpful.
Ms. Pietrobruno's is NOT qualified to write about elevator music much less write about Latin Music
By Jool
I had the misfortune to read an excerpt of Ms. Pietrobruno's book. To be succinct: Ms. Pietrobruno was biased to say the least when you stated that Puerto Rican musicians "lacked creativity" and were not responsible for Salsa's evolution that took place in the 60's/70's. Ms. Pietrobruno w/a name like that, you shouldn't be allowed to write about elevator music, much less about Latin music. How pathetic.

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